Includes accompanying letter
Ryder-Jones, Reverend W HWith foreword by W S Whiteman, Headmaster
Including examination papers, Institute of Education report for 1969 exams, pass statistics and accompanying correspondence, 1970 timetable arrangements and correspondence
Including newspaper cuttings, correspondence and statements of the OSA
Includes Institute of Education members bulletins 19, 23 and 26, memorandums, minutes and outline proposals and principles of the course. With pencil annotations
Papers were deposited by Sanchia Metcalfe, daughter of Rowland Watson
Including appeal circular, list of donors, newspaper cuttings and old students present at 1965 reunion
"University of Bristol Institute of Education Certificate in Education and Supplementary Certificate: Supplement the the 1960 Handbook of Regulations, Courses and Study Syllabuses" September 1961
"University of Bristol Institute of Education Certificate in Education: The Assessment System" guidelines 26 February 1962
"University of Bristol Institute of Education Certificate in Education: Syllabus for Complementary Studies" November 1962
"University of Bristol Institute of Education Certificate in Education: Courses for Study and Syllabuses for the Gloucestershire Training College" September 1963
University of Bristol School of Education. Examination for the Certificate in Education: Information for Students" c.1970
A library list
Reading list on natural sciences
Internal memos relating to the proposed course and a report of the sub-committee. With annotations
Syllabus committee report and information on additional third year studies for BEd students
Includes two reports for the external examiners in education
With pencil annotations
Includes government booklet "Education: A Framework for Expansion"
August 1853, April 1862, December 1863
Includes programme and ticket for the dedication service, information from The Edward Thomas Centenary Memorial Fund, notes from Anne Mallinson, Alan Martin, Ruth Dyson and Jill Balcon, and information on the broadcast of the service on 18 June 1978 on BBC Radio 4
The Cathedral Church of Christ and Blessed Mary Worcester, Order of Service at the burial of William Ernest Beck. 27 May 1957
Extract from the “Worcester Evening News and Times” reporting the burial of William Ernest Beck. 28 May 1957
Notice of memorial service for Dean Beck at St Paul’s College to be held on 10 June 1957. 30 May 1957
Newspaper cuttings of obituary of Dean W E Beck c.May 1957
Published by Enitharmon Press, Petersfield. Signed. Includes the poems:
Long Quarter
Medea's Cauldron
Quarter Century Club
Aston Down
Scorebook
Taberdar's Disease
Joint Honours
Pheasant Covert
Matinée
St Martin in the Field
Horehound Candy
Chapel Trifle
Inn of Court
Model for a Monet
Shepherd's Warning
Panto Sphinx
Rosh Hashanah
Buchan's Cold Spell
Valium Picnic
Boarder's Exeat
Iceland Poppy
Hawthorn Effect
Bargain Basement
School Janitor
Hominy Grit
Landed Immigrant
Sitting Lessee
Papa's Menu
Bucket Shop
The Old Man on the Blackboard
Love's Inner Album
Clothes Maiden
Solander Box
Closure Motion
Motion Sickness
Coronation Cushion
School Shakespeare
A Good Story
Shotten Herring
Cream Tea
Room Service
Milk Run
Box Social
Snatch Picture
Pelion and Ossa
Maynooth Catechism
Tijuana Brass
Connemara Marble
Grey Lilac
Witch Hazel
Party Faithful
Pillow Talk
Sleeping Partner
European Express
Contains song verses sung by senior students to juniors at St Mary's College in 1957 and 1958
Includes Stuart Frost's curriculum vitae and images of his sculptures
Published by His Majesty's Stationary Office, London. With pencil annotation "Lucia Brown" on cover
Published by His Majesty's Stationary Office, London. With pencil annotation "Lucia Brown" on cover
Discusses the individual contributions during The Year of the Artist
Filmbrigade Nord - Unser Zeichen ist die Sonne
Reinhild Beuther - Abschied vom Wald
Neville Gabie - Raw
Stefan Gec - Monument
Philip Reilly - Viewpoint
Written for the 1996 Malvern Conference of the Society of Teachers of Speech and Drama. Includes section on the Dymock Poets
Published by Ernest Benn Limited, London. Includes various recipes. Annotated "E Lucia Brown"
Interviewed by Dr Christian O'Connell on 15 March 2017
Interviewed by Dr Christian O'Connell on 15 March 2017
Interviewed by Dr Christian O'Connell on 15 March 2017
Refers to book on Meyerstein
Broadcast Date: 12 June 1965
ITN Reference: ROYAL/ELIZ/52
Agency: Camera Press London
The Queen with some of her dogs in a new portrait by Terence Cuneo, commissioned by the Kennel Club, of which she is Patron. The dogs include two Labrador retrievers, Sandringham Harvey and Champion Sherry of Biteabout, one of the Queen's favourite corgis, Windsor Brush, and, centre of the group, a cross-breed called Tinker, offspring of a dachshund sire and a Pembrokeshire Welsh corgi and known in the Royal family as a "Windsor Dorgi". The Queen is shown sitting on a fallen tree by a lake at Frogmore Park and, says the Kennel Club, the informality of the picture is in sharp contrast with the traditional style and setting of Royal Portraits
ITN Reference: ROYAL/ELIZ/127
Agency: Press Association
This portrait of Her Majesty Queen Elizabeth II by Joseph Wallace King of Winston-Salem was commissioned by the Wellcome Foundation for presentation to the State of North Carolina. It is believed that it will be the only portrait of the Queen painted from sittings to hang anywhere in the United States outside the British Embassy
ITN Reference: ROYAL/ELIZ/122
Agency: Unknown
A new and striking portrait of the Queen portrays her with an air of calm and firm authority. Her Majesty is wearing an evening gown (the colour is leaf green) and with it a pearl and diamond necklace; the principal feature of the necklace is a miniature replica of the Crown. The portrait, which is 48 inches x 35 inches in size, is destined for the Public Art Gallery at Dunedin, New Zealand, and was commissioned to commemorate the Queen's visit to the Gallery during the Royal Commonwealth Tour, 1953 - 1954. The painting is the work of Edward Halliday, 54 year old President of the Royal Society of British Artists, who has probably painted the Queen more often than any other contemporary portraitist. The portrait is on show at the RBA Galleries, Suffolk Street, London, SW1
ITN Reference: 16/ELI/11
Agency: Camera Press London
This portrait of her Majesty was painted by Edward Halliday as a companion piece to his portrait of His Royal Highness The Duke of Edinburgh. Both portraits were commissioned by the officers of the Royal Air Force station at Henlow, Bedfordshire; they are to be unveiled at a guest night, attended by the artist, at the Officer's Mess on 22 January 1959, by Air Chief Marshal Sir Walter L Dawson, Air Member of Supply and Organisation. The Queen is depicted wearing the robes of the Order of the Garter over an ivory slipper satin gown encrusted with floral decorations. Around her neck is worn the Garter Collar which is of gold and consists of 24 pieces showing the Garter surrounding a Tudor Rose. Twenty four knots of chased gold join the pieces together; affixed to the lowest point is a pendant known as The George, which is an enamelled figure depicting St George and the dragon. The Queen and the Duke of Edinburgh will fly to Canada on the 18 June for a six week visit, during which time her Majesty will open the St Lawrence Seaway. Mr Halliday has previously portrayed the Queen a number of times; he has been president of the Royal Society of Portrait Artists since 1956
Broadcast Date: 23 January 1959 and 24 January 1972
ITN Reference: 16/ELI/16
Agency: Camera Press London
This painting which is certain to provoke discussion throughout the world will occupy a place of honour at the Royal Academy's Summer Exhibition which opens at Burlington House, London, on 3 May 1958. It is an almost revolutionary departure from all previous representations of the Queen; it turns away from fairy tale romanticism and presents to the viewer a Queen of impressive majesty. It shows her mature and self confident, no longer merely a beautiful young woman but now in every sense a sovereign and head of a great nation and Commonwealth. The features are characteristically Windsor, much like the Princess Royal, the Queen's aunt; her bearing vividly calls to mind the Royal dignity of the late Queen Mary, her grandmother. The Queen, in an iridescent sheath dress (she first wore it during a state visit to the United States in 1957) wears the blue sash of the Order of the Garter, a delicate tiara and, in a manner that might revive a fashion, she holds in her right hand a fan. The Queen sat for the painter at Buckingham Palace, posing on the one occasion for one and a half hours. The position her Majesty chosen was near a window overlooking the Mall; the passing scene, one of the pleasantest settings in London, never failed to hold her interest and cause lively comment. The painting was commissioned by the Honourable Artillery Company of which her Majesty is Captain General. The painter, Anthony Devas, ARA, RP, who is [?] 47, has been prominent among English portraitists for many years. Painting by Anthony Devas, please acknowledge
Agency: Camera Press London
Agency: Unknown
Portrait of Her Majesty The Queen by Robbie Wraith 1998. "By far and away the best recent portrait of the Queen" Brian Sewell, Evening Standard, 6 May 1998; "…..a work of great affection and sensitivity" The Right Honourable Chris Smith MP, Minister of State for Culture, Media and Sport
Agency: Prudence Cuming Associates Limited
Agency: Unknown
Agency: Unknown
David Poole, ARCA, RP, with his portrait of Her Majesty The Queen which is to be hung in the Royal Artillery Headquarters Officers Mess at Woolwich, at a press preview at the Federation of British Artists at Carlton House Terrace, London, today. The portrait one of the most subjective yet painted of her Majesty, commissioned by the Royal Artillery will be formally handed over to the Regiment at Woolwich
ITN Reference: ROYAL/ELIZ/
Agency: Associated Press
Agency: Unknown