Document detailing the role of The Forest exhibition
- ST/1/4/2
- Item
- c.1986
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Document detailing the role of The Forest exhibition
Copy from "The Secret Forest of Dean" book by Fay Godwin
Includes revised foreword by Fay Godwin 20 March 1986; copy for the back cover with amendments; annotated typescript of introduction by Edna Healey with annotations; photocopy of handwritten observations by Martin Orrom; a copy of the finished book
Photographer Fay Godwin
Includes "Montacute from Wessex", Self-Portrait, a forest scene and Glastonbury Tor
File compiled by Rupert Martin as a snapshot of the trail at the end of Phase II
Excerpts from press reviews, newspaper and magazine articles
Press release regarding Phase II
Phase II leaflet listing new sculptures by Cornelia Parker [Hanging Fire], Bruce Allan [Observatory], Miles Davies [House], Zadok Ben David [Deer], Peter Randall-Page [Cone and Vessel] and Tim Lees [Rose in Hand]
Black and White photographs of Place [Magdalena Jetelová]; The Iron Road [Keir Smith]; Cathedral [Kevin Atherton]; Observatory [Bruce Allan]; Cone and Vessel [Peter Randall-Page]; Mythical Deer [Zadok Ben David]; Rose in Hand [Tim Lees]; Hanging Fire [Cornelia Parker]; House [Miles Davies]
Photograph of a Stuart Frost sculpture
Annotated on reverse "Stuart Frost: Royal College of Art"
Black and white
Photograph of figure walking towards Place/ Giant's Chair with landscape in background
Colour
Negatives with images of The Four Seasons sculpture
Invitation to the opening of The Forest of Dean Project at Speech House
Hosted by Sir David Montgomery, Chairman of the Forestry Commission, and Jeremy Fry, Chairman of Arnolfini Gallery, Bristol
Booklet "Forest Workings: Open Air Art Workshops in the Forest of Dean 1986"
Includes details and photographs of the Open Workshop held on 21 June 1986; the College Workshop with Andrew Darke and students from the Royal Forest of Dean Technical College held on 23 June 1986; and School Workshops held between 7 - 18 July 1986
"Arnolfini Preview" publication
Photograph of Keir Smith carving a sleeper for Iron Road
Black and white
Photographer: Meg Robbins
Photograph of people gathered around a sleeper, possibly at the launch of sculpture Iron Road
Black and white
Photograph of single deer, part of As There Is No Hunting Tomorrow
Black and white
Photograph of Zadok Ben David with part of sculpture As There Is No Hunting Tomorrow
Colour
"Sculpture and Interpretation: The Forest of Dean Project" by Martin Orrom
Describes the foundations of the Sculpture Trail, specifically the Exeter Forest sculpture trail and the 1986 Forest of Dean project
Photographs, possibly of the launch of the "Stand and Stare" project
Photographer possibly John W Darke, Milberg Publishing. Black and white. Shows possibly representatives of the Forestry Commission alongside sculptures in-situ
Photograph of the part-constructed sculpture Place/ Giant's Chair
Black and white
Article "Forest of Dean project"
Published in "Art Monthly". Author unknown. Discusses the Forest of Dean project and Arnolfini 25th anniversary
Newspaper article "Work in progress in the woods" by William Packer
Published in the "Financial Times". Discusses the Forest of Dean project
Newspaper article "How to turn a forest into art" by Marina Vaizey
Published in "The Sunday Times". Discusses the Forest of Dean project
Article "In the Secret Forest of Dean"
Published in "Arts South West: The newspaper of South West Arts". Discusses the Forest of Dean project
"Arnolfini Preview" publication
Features articles on educational workshops in the Forest of Dean and "The Forest as Art"
Photograph of Keir Smith chalking pattern for an Iron Road sleeper
Black and white
Photographer: Meg Robbins
Artist's contract of sale between Keir Smith and the Arnolfini Gallery for the sculpture Iron Road
Two signed contracts. Includes covering letter from Rupert Martin to Keir Smith
Photographs from the Open Workshop event held at Beechenhurst Picnic Site
Colour photographs
"Arts South West: The newspaper of South West Arts" publication
Issue 36. Includes article "Forest flowers" discussing the collaboration between South West Arts and the Forest of Dean
Newspaper article "Dead wood sculpture" by William Feaver
Published in The Observer. Discusses artist David Nash
Photograph of three deer, part of As There Is No Hunting Tomorrow
Black and white
Photograph of Zadok Ben David installing As There Is No Hunting Tomorrow
Black and white
Photograph of the artists at the launch of the Stand and Stare project
Photographer unknown. Black and white. Features Peter Appleton, Magdalena Jetelová, Jane Counarty, Frances Morris, Andrew Darke and Kevin Atherton
Photograph of Kevin Atherton pointing at Cathedral during the installation
Colour