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Away Day for Trustees

Outlines the content for an away day held on 11 July 2006 at Westonbirt. Includes an analysis of the Trust and future development; programme for the day; paper script and CD-R containing script and PowerPoint for talk on sculpture parks research; action points from the away day for the Forest of Dean Board of Trustees

Jeremy Rees File 2

Includes details of the Lottery application; Notes by Jeremy Rees; Correspondence from Martin Orrom, Jeremy Rees and Brian Mahony; List of appendices and draft content and draft funding figures

Jeremy Rees File 1

Includes draft Lottery application dated 14 May 1998; Letter from Brian Mahony accompanying draft application; Letter from Jeremy Rees to Brian Mahony suggesting amendments to the draft application

"Miscellaneous"

Photocopy of "Appendix 27: Access Checklist" handwritten form for typing
"News from Gloucestershire Tourism" newsletter issue 1 May 1998. Features photograph of Place/ Giant's Chair by Magdalena Jetelová promoting Gloucestershire County Council's picture library

"Criterion 3: Partnership Funding"

File possibly compiled by Brian Mahony. Includes information on an application to the Henry Moore Foundation; Sculpture Trail Access Project; Selection day for the Henry More Commission 1998 [presentations by Tim Knowles, Neville Gabie, Sandie Macrae, Louise Short and David Gooding]; Sculpture proposal by Neville Gabie 1998; Summerfield Trust correspondence; Correspondence from Martin Orrom and Lesley Greene; Address by Nick Capaldi [South West Arts] at Cinderford on 16 December 1998; Correspondence from Bruce Allan; Correspondence from Tessa Jackson [Director of The Arnolfini]; Memorandum regarding refurbishment of Cathedral by Kevin Atherton

Master copy of application

Written by Brian Mahony. Application number 97-1556. Includes application form; Appendix 1: Trust Deed 1996; Appendix 2: Mission Statement "Stand and Stare"; Appendix 3: Statement of Funds; Appendix 4: Trust Management Structure and Membership; Appendix 5: Detailed Description of the Scheme; Appendix 6: List and Photographs of Sculptures Created 1986 - 1997 [blank]; Appendix 7: Business Plan; Appendix 8: Milestones and Achievements; Appendix 9: A Marketing Perspective/ Visitor Survey; Appendix 10: "On the Beaten Track" [blank]; Appendix 11: Risk Analysis; Appendix 12: Options Analysis; Appendix 13: Equal Opportunities Policy; Appendix 14: Access for All; Appendix 15: Education Pack; Appendix 16: Training Policy; Appendix 17: Memorandum of Agreement with The Forestry Commission; Appendix 18: Commissioning Policy; Appendix 19: Management and Maintenance of The Trail [including sculpture management plan for Dead Wood/ Bois Mort 1995]; Appendix 20: Curator Draft Job Description; Appendix 21: Review of Existing Sculptures [blank]; Appendix 22: Education Policy; Appendix 23: The Archive; Appendix 24: Working with the Community; Appendix 25: Leaflets and Press Articles [blank]; Appendix 26: Collaboration Statement for the Arts Resource Centre; Appendix 27: Access Checklist; Appendix 28: Support from Other Organisations and Individuals; Appendix 29: Proposal for an Annual Competition

Forest of Dean Sculpture Trail Teacher Pack first draft

Written by Julian Davies. Includes introduction; on site facilities; the artist and their work; how to use this pack; worksheets; case studies for key stage 1, 2 and 3. Sculptures included are Place/ Giant's Chair by Magdalena Jetelová; The Heart of Stone [Heart of the Stone] by Tim Lees; Black Dome and Fire and Water Boats by David Nash; Iron Road by Keir Smith; Grove of Silence by Ian Hamilton Finlay; Cone and Vessel by Peter Randall-Page; As There Is No Hunting Tomorrow by Zadok Ben David

Summary of various funding criterias in the South West

Includes the Regional Arts Lottery Programme; Royal Society of Arts Art for Architecture Award Scheme; Sciart; Coalfields Regeneration Trust; Foundation for Sport and the Arts Grants; Carnegie UK Trust; Ernest Cook; Gulbenkian Foundation; Paul Hamlyn Foundation; Laing Charitable Trust; Garfield Weston Foundations; Hayward Foundation

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