Special Collections and Archives

Photograph of "Spring", part of sculpture The Four Seasons

Photograph of section of "Winter", part of sculpture The Four Seasons

Photograph of Black Dome after charring process

Photograph of sculpture Fire and Water Boats

Article "Forest of Dean project"

Photocopy of article "Artists at Work"

Newspaper article "Work in progress in the woods" by William Packer

Newspaper article "How to turn a forest into art" by Marina Vaizey

Article "In the Secret Forest of Dean"

"Arnolfini Preview" publication

Photocopy of article "Exhibition Review: The Forest of Dean Sculpture Project" by Roger Leigh

Photograph of Keir Smith chalking pattern for an Iron Road sleeper

Artist's contract of sale between Keir Smith and the Arnolfini Gallery for the sculpture Iron Road

Photographs from the Open Workshop event held at Beechenhurst Picnic Site

Photocopy of article on the "Forest of Dean project"

Photocopy of newspaper article "Transistor radios could be no worse" by Edward Phelps

Photocopy of article "If you go down to the woods..." by Ann Sheldon

Photocopy of newspaper article "Work in progress in the woods" by William Packer

"Arts South West: The newspaper of South West Arts" publication

Newspaper article "Dead wood sculpture" by William Feaver

Photograph of three deer, part of As There Is No Hunting Tomorrow

Photograph of sculpture As There Is No Hunting Tomorrow from distance

Photograph of Zadok Ben David installing As There Is No Hunting Tomorrow

Photograph of the artists at the launch of the Stand and Stare project

Forestry Commission press release regarding the collaboration with The Arnolfini and the "Stand and Stare" project

Document by The Arnolfini describing the photographic commission of Kevin Arnatt and Fay Godwin

Photograph of Kevin Atherton pointing at Cathedral during the installation

Photograph of installation of Cathedral with cranes

Photograph of Rupert Martin drying the glass of Cathedral before installation

Pamphlet "Studio not required:Sculptures by Stuart Frost"

Photograph of sculpture Bracken Ring

Photograph of Magdalena Jetelová looking across the landscape from the location of Place/ Giant's Chair

Photograph of components of the sculpture Place/ Giant's Chair before construction

Photograph of "Spring", part of sculpture The Four Seasons

Photograph of section of "Winter", part of sculpture The Four Seasons

Photograph of David Nash during the construction of Black Dome

Photographs and negatives of the "Chairman Sculpture event"

Newspaper article "Iron horses make tracks for BR" by Paul Hoyland

"What's On Wye Dean" publication

Newspaper article "A surprise in the woods.."

Photocopy of article "The Forest" by Nigel Frank

Newspaper article "Timber"

Newspaper article "The great Bank Holiday show" by Marina Vaizey

Newspaper article "Sculptors' open-air delights" by Mark Swallow

Publication "Partnership: Making arts money work harder"

Photocopy of article "'The Forest', Arnatt, Godwin, Rotherstein, Leventon" by Margaret Garlake

Details of the Arnolfini's collaboration with the Forestry Commission

Letter from Stuart Frost to Martin Orrom regarding his sculptures at Leigh Woods, Bristol

Photocopy of newspaper article "On the march to the cutting-edge" by Deanna Petherbridge

Photocopy of document "Stand & Stare" by Jeremy Rees [Director, The Arnolfini]