Location plan for sculpture The Four Seasons
- ST/3/16/11
- Item
- c.1990s
258 results with digital objects Show results with digital objects
Location plan for sculpture The Four Seasons
Negatives with images of The Four Seasons sculpture
Sculpture Management Plan for Heart of the Stone
Includes management plan objectives; background information; location map; maintenance requirements; method of inspection, maintenance, consultation and action required; potentially damaging operations
Photograph of Jeremy Rees's wife, Jeremy Rees and Tim Lees standing next to Heart of the Stone
Colour
Photograph of artist Tim Lees standing next to his sculpture Heart of the Stone
Colour
Artist's contract of sale for sculpture Heart of the Stone
Made between The Forestry Commission and Tim Lees. Signed
Photograph of figure walking towards Place/ Giant's Chair with landscape in background
Colour
Photograph of figure walking towards Place/ Giant's Chair with landscape in background
Colour
Photograph of the part-constructed sculpture Place/ Giant's Chair
Black and white
Photograph of components of the sculpture Place/ Giant's Chair before construction
Black and white
Black and white
Black and white
Includes correspondence between Frances Morris of The Arnolfini and Anna Ridley of Annalogue Limited regarding video footage of Place/ Giant's Chair
Charcoal made from Place/ Giant's Chair
The charcoal made from Place/ Giant's Chair was used to make new artworks
Original wood and piece of charcoaled wood from Place/ Giant's Chair
Photograph of figure stood underneath Place/ Giant's Chair
Colour. Photographer: Jeremy Rees
Photographs of Forest of Dean Sculpture Trust trustees on walkabout next to Place/ Giant's Chair
Colour. Photographer: Jeremy Rees
Printout of web page on Magdalena Jetelová and her project "Bridge"
Sculpture Management Plan for Place/ Giant's Chair
Includes management plan objectives; background information; location map; maintenance requirements; method of inspection, maintenance, consultation and action required; potentially damaging operations
Photograph of Place/ Giant's Chair from a distance and through trees
Colour
Photograph of wooden chair sculpture by Magdalena Jetelová
Colour. A3. Possibly part of Magdalena Jetelová's Arnolfini exhibition in 1985
Colour slide with image looking along a path towards of Place/ Giant's Chair
Photographed by Werner J Hannappel, 4300 Essen, West Germany
Photograph of Place/ Giant's Chair during initial stages of charcoaling which was halted
Colour
Photograph of Place/ Giant's Chair during initial stages of charcoaling which was halted
Colour
Photograph of Place/ Giant's Chair during initial stages of charcoaling which was halted
Colour
Includes image of room with large chair in foreground and smaller chairs stacked behind
Photograph of section of sculpture Grove of Silence
Colour. Shows plaque "Silenzio"
Photograph of section of sculpture Grove of Silence
Colour. Shows plaque "Silenzio"
Photograph of section of sculpture Grove of Silence
Colour. Shows plaque "Silenzio"
Photograph of section of sculpture Grove of Silence
Colour. Shows plaque "Schweigen"
Photograph of section of sculpture Grove of Silence
Colour. Shows plaque "Silenzio"
Prospectus for publication "5 Signposts inscribed Vincennes" by Ian Hamilton Finlay
Illustrations by Kathleen Lindsley. Published by Wild Hawthorn Press
Sculpture Management Plan for Vincennes
Includes management plan objectives; background information; location maps; maintenance requirements; method of inspection, maintenance, consultation and action required; potentially damaging operations
Sculpture Management Plans for Grove of Silence
Includes management plan objectives; background information; location maps; maintenance requirements; method of inspection, maintenance, consultation and action required; potentially damaging operations
Illustrated proposal for sculpture Grove of Silence
Includes cardboard mount. Published by the Wild Hawthorn Press.
Text reads "A Proposal for the Forest of Dean: Three oval stone plaques are added to three trees in a quiet woodland. Calling attention to the peaceful surroundings, the plaques are inscribed with the words SILENCE (English, French), SCHWEIGEN (German), and SILENZIO (Italian): Ian Hamilton Finlay and Gary Hincks, after the drawing by William Kent, Ponds n woodland groves"
Showing at Kirkby Gallery, Kirkby, Merseyside
Project in Liverpool where Neville Gabie and other artists spent time living in a high-rise tower block before demolition. Part of The Year of the Artist initiative in collaboration with Liverpool Housing Action Trust, Knowsley Council, Knowsley Arts Service, uita and CDS Housing
Booklet for the "Up in The Air" project
Project in Liverpool where Neville Gabie and other artists spent time living in a high-rise tower block before demolition. Part of The Year of the Artist initiative in collaboration with Liverpool Housing Action Trust, Knowsley Council, Knowsley Arts Service, uita and CDS Housing