Published by "[?] Steps" Winter 1983; The KQBX Press 1985

Three drafts with annotations

Published by "South West Review" August 1982; "Bogg" Summer 1983; "Giant Steps" Winter 1983; The KQBX Press 1985

Photocopy of final draft with annotations and photocopy of version with annotation published in "An Ocean in My Ear" 1988

Published by "Graffiti" September 1982; "Poetry Nottingham" Summer 1985; The KQBX Press 1985; "Tower Poetry Magazine" Summer 1985; Enitharmon Press in "After the Dancing Dogs" 2001; "South" October 2006

Final draft with annotations and photocopy of version published in "After the Dancing Dogs"

Published by "Success" Autumn 1981; "Poetry Nottingham" Winter 1984; "Tower Poetry Magazine" Winter 1986; The KQBX Press December 1985

Drafts with annotations including final draft

Published by "Monashee" Summer 1982; "Slow [?]" Autumn 1983; The KQBX Press December 1985

Annotated drafts including final draft

Published by "Monashee" Winter 1979; "Interface" March 1979; "Orbis" Spring 1987; The KQBX Press December 1985

Drafts with annotations including final draft. Also includes letter from James Roebuck, Edmonton Journal, to Michael Henry regarding second prize in the Poetry category of The Journal's 1978 Literary Awards Competition, 16 June 1978

Published by "Poetry Nottingham" Spring 1984; "The Antigonish Review" Spring 1985; The KQBX Press December 1985

Third prize in the Lake Ashe Competition

Annotated drafts including final draft

Published by "New Hope International" Winter 1981 - 1982; "The Antigonish Review" Summer 1982; "Poetry Nottingham" Winter 1983; "Doors" May 1984; The KQBX Press December 1985

Annotated drafts including final draft

Published by "Litmus" Summer 1983; "Giant Steps" Winter 1983; The KQBX Press December 1985

Drafts including final annotated draft

Published by "Distant Echo" August 1983; "Giant Steps" Winter 1983; The KQBX Press December 1985; Enitharmon Press 2001

Photocopy of final annotated draft and printed version in "Footnote to History" 2001

Published by "Event" January 1980; "Counterpoint" Winter 1980 - 1981; "Stride" March 1983; "Tears in the Fence" Winter 1984 - 1985; The KQBX Press December 1985

Annotated drafts including final draft

Published by "First Time" Spring 1984; The KQBX Press December 1985

Fourth prize Hartings Competition

Annotated drafts including final draft

Published by The Tower Poetry Society Winter 1979; "The Antigonish Review" Winter 1980; "Candelabrum" June 1980; The KQBX Press December 1985; "South (Profile)" October 2006

Annotated drafts

Published by [?] June 1977; "Quarry" December 1978; "Slow Runner" Spring 1981; "Sepia" June 1982; "Start" March - April 1985; The KQBX Press December 1985

Annotated drafts

Published by "Resurgence" November - December 1980; "Tower Magazine" Winter 1980 - 1981; "New Hope International" Winter 1981 - 1982; The KQBX Press December 1988; "South (Profile)" October 2006

Annotated drafts and photocopy of published version from unknown publication

Inspired by the play "Abraham Lincoln" by John Drinkwater. Performed to mark the centenary of the play's first performance on 19 October 1918 at The Birmingham Repertory Theatre. "Quilt Song" performed on 19 and 20 October 2018 at The Old Rep Theatre, Birmingham

Inspired by the play "Abraham Lincoln" by John Drinkwater. Performed to mark the centenary of the play's first performance on 19 October 1918 at The Birmingham Repertory Theatre. "Quilt Song" performed on 19 and 20 October 2018 at The Old Rep Theatre, Birmingham

Re-issue for the informal reading to mark the centenary of the first performance at The Birmingham Repertory Theatre on 19 October 1918. Event held on 19 October 2018 at The Old Rep Theatre, Birmingham. Richard Simkin's copy, who took part in the reading. Event held alongside performances of the "Quilt Song" opera by Suzie Self

Performed at The Old Rep Theatre Birmingham on 19 and 20 October 1918. Performed to mark the centenary of the performance of Abraham Lincoln at the Birmingham Repertory Theatre on 19 October 1918

Includes "Remembering Edward Thomas" event booking form, 1 April 2017 at Ledbury Market Theatre

Includes Autumn in Malvern festival leaflet 2016; Minutes for the Annual General Meeting of the Friends of the Dymock Poets 3 October 2015; Booking form and programme for the Annual General Meeting Weekend 2016; Friends of the Dymock Poets Constitution 2016

Includes booking form for the Friends of the Dymock Poets AGM Weekend 6 - 7 October 2018

Photocopy of review by Graham Mort published in "Poetry Review" Winter 1988 - 1989 and photocopy of review by Duncan C Curry published in "The North"

Published by "Other Poetry" Summer 1985; Enitharmon Press 1988

Annotated drafts including final draft

Published by "Litmus" Summer 1986; Enitharmon Press 1988

Annotated drafts including final draft. Includes letter from Laurie Smith, Editor of Litmus: The Stukeley Press, regarding publication of poems "Stagnant Pond" and "Kangaroo Start"

Published by "Giant Steps" Winter 1983; Enitharmon Press 1988

Annotated drafts including final draft

Published by "Nimbus" Summer 1980; Macmillan Spring 1986; Enitharmon Press 1988

Annotated drafts including final draft

Published by "Frames" Spring 1986; Enitharmon Press 1988

Final draft

Published by "Idoemoe" Summer 1983; "Success" November 1983; "Poems for Hastings" 1986; "Doors" May 1986; Enitharmon Press 1988

Annotated drafts including final draft

Published by "Oxford Poetry" Winter 1986, Enitharmon Press 1988

Final draft

Published by "Slow Domer" Spring 1981; "Tower Magazine" Summer 1981; "Sydelines" Summer 1983; "Rubleshed" Summer 1987; Enitharmon Press 1988; "South (Profile)" October 2006

Annotated drafts including final draft

Published by "Encounter" February 1986; Enitharmon Press 1988

Annotated final draft

Accepted by "Origins". Published by "Krax" Spring 1996; "First Time" Autumn 1984; Enitharmon Press 1988; "South (Profile)" October 2006

Annotated drafts including final draft. Includes letter from Peter Mortimer, Editor of Iron Press, to Michael Henry regarding the poems "Watering Hole", "Curtain Lecture", "Porterhouse Steak" and "Southern Comfort" 17 April 1983

Published by "Slow Domer" Autumn 1983; "The Polluted Pocket" Autumn 1986; "Third Half" February 1988; Enitharmon Press 1988

Annotated drafts including final draft

Published by "T O R S" April 1981 [highly commended]; "New Hope International" October 1982; "Monashee" Winter 1983; Enitharmon Press 1988. Accepted by "Poetic Licence"

Annotated drafts including final draft

Published by Enitharmon Press 1988. Awarded the Honours Award at Cheltenham Competitive Festival 1985

Annotated drafts including final draft. Includes adjudicator's notes for the Cheltenham Competitive Festival and a letter from Joy Hendy, Editor of "Chapman", to Michael Henry regarding the poem 12 March 1985

Published by "Litmus" Summer 1986; "Oxford Book of Sporting Literature: An Anthology" April 1987; Enitharmon Press 1988

Annotated drafts including final draft. Includes letter from Laurie Smith, Editor of "Litmus", to Michael Henry regarding poems "Apricot Brittle", "Chinese Laundry" and "Stagnant Pond" 2 March 1984

Published by "The Countryman" Autumn 1986; Enitharmon Press 1988

Final draft and photocopy of printed poem from "An Ocean in My Ear"

Published by Enitharmon Press 1988. Winner of the Poetry Own Composition class of the Cheltenham Competitive Festival 1986

Annotated drafts. Includes adjudicator's notes from the Cheltenham Competitive Festival and a letter from Peter Forbes, Southern Arts & Thamesdown Community Arts Writer in Residence, to Michael Henry regarding the poems "The Stove-In Chest", "Peppercorn Rent", "Horehound Candy" and "Tijuana Brass" 24 June 1985

Published by "Stride" September 1982; "Westwards" Spring 1988; Enitharmon Press 1988

Annotated drafts including final draft