Dymock Poets and Friends: Journal of the Friends of the Dymock Poets
- DP/FDP/7
- Subseries
- 2002 - 2022
Part of Dymock Poets Special Collection
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Dymock Poets and Friends: Journal of the Friends of the Dymock Poets
Part of Dymock Poets Special Collection
Friends of the Dymock Poets Series
Part of Dymock Poets Special Collection
Friends of the Dymock Poets
Dymock Poets Special Collection
On the north-west borders of Gloucestershire, in the years immediately prior to the outbreak of the First World War, a literary community was formed which came to represent a significant development in the modern poetic tradition. By August 1914, the poet and playwright Lascelles Abercrombie, Wilfrid Gibson, and the American poet Robert Frost had all taken up residence in and around the village of Dymock. Inspired by the beauty of their surroundings and encouraged by a succession of visitors, including Rupert Brooke, John Drinkwater, Edward Thomas and Eleanor Farjeon, a new literary currency was established during that final summer before the outbreak of war.
Their writings represented a movement away from the prevailing literary idiom, regarded by many as rhetorically ornate and emotionally restricted. Instead the Dymock Poets sought inspiration in natural settings and everyday experiences. In this, and their desire for a more direct, authentic register, their work can be located within the traditions of Wordsworth and the principles set out in Lyrical Ballads.
It was a productive time for all concerned, with four issues of a periodical, New Numbers, being written and printed as a true cottage industry. This period was also to see the emergence of Edward Thomas as a gifted and prolific writer of verse and to lead to Robert Frost’s formation of a new poetic philosophy.
This brief idyll was to prove short lived. Within three years both Brooke and Thomas were dead, Frost had returned to North America, and Abercrombie, Drinkwater and Gibson were involved in war work. Their writings, however, continue to form an important literary legacy to this day.
The institution has actively sought to collect material from various sources that centres on the Dymock Poets (Edward Thomas, Robert Frost, Wilfrid Gibson, Lascelles Abercrombie, John Drinkwater, Rupert Brooke) and related authors such as Eleanor Farjeon. Items are donated or deposited by a wide range of people, including some of the families of the poets. Material has also been deposited by both The Edward Thomas Fellowship and Friends of the Dymock Poets regarding the administration of both societies.
The collection is comprised of original paper-based documents, monographs, journals, articles, photographic material and multi-media. Secondary-source material is catalogued on the University’s library catalogue https://glos.on.worldcat.org/search?sortKey=LIBRARY&databaseList=1080%2C2375%2C3384%2C2272%2C251%2C197%2C1855%2C199%2C1996%2C1875%2C2007%2C233%2C950%2C3313%2C2585%2C217%2C239%2C638%2C2507%2C1715%2C2462%2C2262%2C1271%2C283%2C285%2C143%2C1842%2C2897%2C1621%2C245%2C203%2C3909&queryString=B8%3AGloucestershire&changedFacet=language&overrideStickyFacetDefault=&clusterResults=on&subscope=wz%3A18387%3A%3Azs%3A37348
Cheltenham and Gloucester College of Higher Education
Whittington Press Special Collection
The Whittington Press was founded by John and Rose Randle in 1971 at Whittington Court near Cheltenham. The Press continues to produce hand-made books by letterpress, often incorporating text and wood engravings. Material is comprised of monographs, the Matrix journal [we are the only HEI in the UK to hold a full set], documents, posters, Christmas cards and photographs
University of Gloucestershire
"Memoirs of Benvenuto Cellini a Florentine Artist written by Himself" translated by Anne MacDonell
Part of Dymock Poets Special Collection
Published by J M Dent and Sons Limited, London. Inscribed "Tanya with love from John. Her 19th birthday"
David Elyan Special Collection
"The Dubliner" and "Dublin" publications
James Elroy Flecker publications - 37 books, including an unpublished masters thesis, by and about the Cheltenham poet
Whittington Press ephemera
Elyan, David
Sculpture: Observatory (1988 - 2014)
1x lever arch file website image index. Includes lists of images with copyright information
1x lever arch file "Images 2: Artists J-Z". Includes slides and lists of images
1x lever arch file "Images 3: Lightshift; Diversity/ Spray + Tan; Workshops; Forest History; Forest General". Includes lists of images with copyright information, photographs and slides
1x file "Image loans"
1x bundle of negatives, slides and prints of various sculptures
1x box of slides labelled "Bruce Allan"
1x box of slides showing an exhibition
4x CDs with images of sculptures
Sculpture: Heart of the Stone [wrongly titled "The Heart of Stone"] (1988 - present)
Artist's contract of sale for sculpture Heart of the Stone
Made between The Forestry Commission and Tim Lees. Signed
Photograph of artist Tim Lees standing next to his sculpture Heart of the Stone
Colour
Photograph of Jeremy Rees's wife, Jeremy Rees and Tim Lees standing next to Heart of the Stone
Colour
Sculpture Management Plan for Heart of the Stone
Includes management plan objectives; background information; location map; maintenance requirements; method of inspection, maintenance, consultation and action required; potentially damaging operations
"Forest Enterprise: Sculpture Trail: Forest of Dean" leaflet
Includes map of the Sculpture Trail and details of sculptures "Place"/ Giant's Chair by Magdalena Jetelová; "The Heart of Stone" [Heart of the Stone] by Tim Lees; "Black Dome" and "Fire and Water Boats" by David Nash; "Iron Road" by Keir Smith; "Grove of Silence" by Ian Hamilton Finlay; "Cone and Vessel" by Peter Randall-Page; "As There Is No Hunting Tomorrow" by Zadok Ben David; "House" by Mile Davies; "Observatory" by Bruce Allan; "Cathedral" by Kevin Atherton; "Hangling Fire" by Cornelia Parker; "Sliced Log Star" by Andrew Darke; and "Melissa's Swing" by Peter Appleton
Forest of Dean Sculpture Trail Teacher Pack first draft
Written by Julian Davies. Includes introduction; on site facilities; the artist and their work; how to use this pack; worksheets; case studies for key stage 1, 2 and 3. Sculptures included are Place/ Giant's Chair by Magdalena Jetelová; The Heart of Stone [Heart of the Stone] by Tim Lees; Black Dome and Fire and Water Boats by David Nash; Iron Road by Keir Smith; Grove of Silence by Ian Hamilton Finlay; Cone and Vessel by Peter Randall-Page; As There Is No Hunting Tomorrow by Zadok Ben David
Forest of Dean Sculpture Trail leaflet
Published by the Forestry Commission. Includes map and information on the sculptures "Dead Wood/ Bois Mort" by Carole Drake; "The Heart of Stone" [Heart of the Stone] by Tim Lees; "Yaşasin" by Pomona Zipser; "Black Dome" and "Fire and Water Boats" by David Nash; "Iron Road" by Keir Smith; "Searcher" by Sophie Ryder; "In Situ" by Erika Tan; "Grove of Silence" by Ian Hamilton Finlay; "Cone and Vessel" by Peter Randall-Page; "Hill 33" by David Cotterrell; "House" by Miles Davies; "Raw" by Neville Gabie; "Coal Measure Giants" by Henry Castle; "Echo" by Annie Cattrell; "Cathedral" by Kevin Atherton; and "Hanging Fire" by Cornelia Parker
Sculpture: Grove of Silence/ Vincennes (1988 - present)
Includes letters from:
Bruce Allan
Kevin Atherton
Alfio Bonanno
Terry Bryan
Central Independent Television
Andrew Darke
Patrick Dougherty
Neville Gabie
Ian Hamilton Finlay
Reba Johnson [includes thesis "Sculpture in a Rural Landscape with particular reference to Sculpture at Margam Park, Glamorgan and The Sculpture Trail at The Royal Forest of Dean, Gloucestershire"]
Giles Kent
R Leslie
Paul Marland MP
Rupert Martin
David Nash
Peter Randall-Page
Andy Parkin
Jeremy Rees
Keir Smith
Colin Wright
Sculpture: As There Is No Hunting Tomorrow (1986 - 1996)
Photograph of Zadok Ben David installing As There Is No Hunting Tomorrow
Black and white
Photograph of Zadok Ben David in blue jacket with part of sculpture As There Is No Hunting Tomorrow
Colour
Photograph of Zadok Ben David with part of sculpture As There Is No Hunting Tomorrow
Colour