- MH/8/67
- File
- 1982 - c.2011
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
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Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by "Acumen" September 2012; Five Seasons Press 2014
Annotated drafts including final draft. Includes photocopy of poem published in "Acumen"
Part of Michael Henry Archive
Published by Five Seasons Press 2014. Shortlisted for "Dream Catcher 27"
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Fives Seasons Press
Annotated drafts including final draft. Includes piece of notepaper with Michael Henry's father's notes on hip pain
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Poem "The Holy Icons of Drumheller"
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Fives Seasons Press
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Five Seasons Press
Annotated drafts including final draft
Part of Michael Henry Archive
Published by "Poetic Pilgrimages: James Hogg at Eighty"; "14"; Five Seasons Press 2014. Accepted by "Poetry Salzburg Festschrift Anthology"
Annotated drafts including final draft
Part of Michael Henry Archive
Renamed "Noughth Week"
Published by Five Seasons Press 2014
Annotated drafts including final draft. Includes note from Michael Laskey, Editor of "Smiths Knoll"
Poem "Dating for Modern Linguists"
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by "The Warwick Review" June 2012; "The Book of Love and Loss" 2014; Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by "Poetry Nottingham" Summer 2004; Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Five Seasons Press
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Five Seasons Press 2014. Long listed for The Virginia Warbey Poetry Prize 2010
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Tears in the Fence" Winter 2012 - 2013; Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by "Acumen" September 2010; Five Seasons Press 2014
Annotated drafts including final draft. Includes photocopy of poem published in "Acumen"
Part of Michael Henry Archive
Published by "The Poetry Review" Summer 1995; Five Seasons Press 2014
Annotated drafts including final draft. Includes photocopy of poem published in "Poetry Review"
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Part of Michael Henry Archive
Published by "Click of Time: Reflections of the Digital Age" 2010; Five Seasons Press 2014
Annotated drafts including final draft. Includes printed email from Rhianydd Thomas, Anglia Ruskin University, regarding publication of the poem
Part of Michael Henry Archive
Published by Five Seasons Press 2014
Annotated drafts including final draft
Forest of Dean Sculpture Trail Archive
The collection charts the history of the Forest of Dean Sculpture Trail, located at Beechenhurst Lodge in the heart of the Forest of Dean. This includes both the administrative and artistic processes involved. Formats encompass documents, books and publications, leaflets, drawings, videos, a maquette and other ephemera.
In 1983, following the establishment of a sculpture trail in Exeter Forest, Martin Orrom (Forestry and Environment Officer, Forestry Commission) wrote a brief for the establishment of a sculpture trail in the Forest of Dean. The Elephant Trust provided £2,500 towards the project and in Spring 1984 around 20 artists were invited to visit the site and submit proposals for sculptures. Martin worked alongside Jeremy Rees (Founding Director of The Arnolfini, Bristol) and Rupert Martin (Curator at The Arnolfini). Six artists were chosen and these founding commissions were collectively titled "Stand and Stare":
Peter Appleton - Sound Sculptures
Kevin Atherton - Cathedral
Andrew Darke - Sliced Log Star (Inside Out Tree)
Magdalena Jetelova - Place
David Nash - Black Dome/ Fire and Water Boats
Keir Smith - The Iron Road
The trail was opened on 19 June 1986 by Sir David Montgomery, Chair of the Forestry Commission. By 1988, a second batch of sculptures had been installed including:
Bruce Allan - Observatory
Zadok Ben David - As There Is No Hunting Tomorrow
Miles Davies - House
Ian Hamilton Finlay - Grove of Silence
Tim Lees - The Heart of the Stone
Cornelia Parker - Hanging Fire
Peter Randall-Page - Cone and Vessel
Sophie Ryder - Crossing Place/ Deer/Searcher
Since 1986, 28 sculptures both temporary and permanent have been sited on the Sculpture Trail.
The Forest of Dean Sculpture Trust was established in 1988 as a registered charity overseeing the maintenance of the trail and commissioning new works. The trail is owned and managed by The Forestry Commission.
Forest of Dean Sculpture Trust
Photocopy of "Forestry Commission/ Arnolfini/ Elephant Trust background"
Possibly written by Martin Orrom. Describes the foundation of the Sculpture Trail
"Sculpture and Interpretation: The Forest of Dean Project" by Martin Orrom
Describes the foundations of the Sculpture Trail, specifically the Exeter Forest sculpture trail and the 1986 Forest of Dean project
List of sculptures, artists, and dates located and removed 1986 - 1999
Beginner's Way - Exeter Forest
Beginner's Way was the Exeter Forest sculpture trail, a collaboration between artist Jamie McCullogh and the Forestry Commission, specifically Martin Orrom. The trail opened in 1983.
Compiled by Jamie McCullough. Includes photocopies of:
Introduction
Letter from Martin Orrom to Jamie McCullough giving agreement in principle for the project
Newspaper article "Beginner's Way Begins"
Descriptions for the trail with photographs
Draft constitution for the Wildharbour Society
Photographs of the sculpture "Stepping Stones" by Jamie McCullough sited on Beginner's Way
Includes negative with image of "Stepping Stones" and four other views
Document describing Beginner's Way
Possibly written by Martin Orrom. Describes the Forestry Commission's involvement with the establishment of the Grizedale Forest Sculpture Project in 1977 and later Beginner's Way.
"Beginner's Way: Half a Hidden Story"
From a typescript document by Jamie McCullough. Transcribed by Carolyn Black
Typescript of talk about Jamie McCullough, possibly by Carolyn Black
Drafts of the outline proposal for the Stand and Stare project
Written by Martin Orrom. Includes annotations
The Arnolfini press release regarding "The Forest of Dean Project & 'The Forest' Exhibition"
Part of The Arnolfini's twenty-fifth anniversary events
Invites Sir David Montgomery, Chairman of The Forestry Commission, John Fletcher and Martin Orrom to the event
"The Artist as an Interpreter in the Forest" typescript by Martin Orrom
Handwritten notes "Sculpture and Interpretation: The Forest of Dean Project" by Martin Orrom
Includes photocopy of document "Forestry at The Arnolfini" by Martin Orrom 10 March 1983