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"My Butterfly" was Frost's first published poem for which he was paid $15 by the "New York Independent" on 8 November 1894. The original manuscript is held at the Huntington Library, Pasadena. This framed print was produced by the California Friends of Robert Frost

A portrait of Prince Charles, Prince of Wales, in flying kit, as shown for the first time today at the Royal Air Force Club in Picadilly. John Hughes-Hallett was the artist

ITN Reference: ROYAL/CHAR/79

Agency: Press Association

Annotated on reverse "John Wheatley (Studio Collection) W H Davies" and stamped "The Guild of Master Craftsmen"

Also includes photocopy of page of "Painting in Newlyn" catalogue featuring an oil on canvas portrait of W H Davies

Includes Eleanor Farjeon's signature. "First and Second Love" was published by Michael Joseph in 1947, the two loves being Stacy Aumonier and Edward Thomas

Signed by Harold Sayer. Copy 7 of 150

Photographer unknown

Photographer unknown

With ink annotation

Includes Edward Thomas Fellowship news sheet August 1983; three letters from Alun John to Alan Martin with details of the walk; photocopies of two letters from Alun John to Anne Mallinson with details of the walk; map of the route

Includes map of the route. Annotated

With an introduction by Richard Emeny. Published by The Cyder Press

Four Decades was a short-lived journal of reviews and criticism of poetry written during the period 1890-1930 which published nine volumes between 1976-1979. It was edited by Jeff Cooper and Esther Fisher

Death 1972

ITN Reference: ROYAL/WIND/10

Agency: Camera Press London

Duke death 1972, Duchess death 1986

Broadcast Date: 3 December 1996

ITN Reference: ROYAL/WIND/11

Agency: Camera Press

Published by the Forestry Commission

Inspections carried out on 24 March 2004. Includes details on the condition of the sculptures and any proposed maintenance

Annotated

Includes brief and invitations to tender

Includes clean working space for artists, public interface, communications, accommodation for artists, seminar/ education space, management/ administration and exhibition space. Annotated

Includes account summary, bank statements, invoices and related correspondence

Includes account summary, bank statements, invoices and related correspondence

Includes account summary, bank statements, invoices and related correspondence

Includes account summary, bank statements, invoices and related correspondence

Includes account summary, bank statements, invoices and related correspondence

Includes account summary, bank statements, invoices and related correspondence

Includes account summary, bank statements, invoices and related correspondence

Includes account summary, bank statements and related correspondence

Includes bank statements

Includes account summary, bank statements and related correspondence

Includes account summary, bank statements and related correspondence

Includes account summary, bank statements and related correspondence

Includes account summary, bank statements, invoices and related correspondence

Includes account summary, bank statements, invoices and related correspondence

Includes account summary, bank statements, invoices and related correspondence

Written by Julian Davies. Includes introduction; on site facilities; the artist and their work; how to use this pack; worksheets; case studies for key stage 1, 2 and 3. Sculptures included are Place/ Giant's Chair by Magdalena Jetelová; The Heart of Stone [Heart of the Stone] by Tim Lees; Black Dome and Fire and Water Boats by David Nash; Iron Road by Keir Smith; Grove of Silence by Ian Hamilton Finlay; Cone and Vessel by Peter Randall-Page; As There Is No Hunting Tomorrow by Zadok Ben David

Published by the Forestry Commission. Includes map and information on the sculptures "Dead Wood/ Bois Mort" by Carole Drake; "The Heart of Stone" [Heart of the Stone] by Tim Lees; "Yaşasin" by Pomona Zipser; "Black Dome" and "Fire and Water Boats" by David Nash; "Iron Road" by Keir Smith; "Searcher" by Sophie Ryder; "In Situ" by Erika Tan; "Grove of Silence" by Ian Hamilton Finlay; "Cone and Vessel" by Peter Randall-Page; "Hill 33" by David Cotterrell; "House" by Miles Davies; "Raw" by Neville Gabie; "Coal Measure Giants" by Henry Castle; "Echo" by Annie Cattrell; "Cathedral" by Kevin Atherton; and "Hanging Fire" by Cornelia Parker

The collection charts the history of the Forest of Dean Sculpture Trail, located at Beechenhurst Lodge in the heart of the Forest of Dean. This includes both the administrative and artistic processes involved. Formats encompass documents, books and publications, leaflets, drawings, videos, a maquette and other ephemera.

In 1983, following the establishment of a sculpture trail in Exeter Forest, Martin Orrom (Forestry and Environment Officer, Forestry Commission) wrote a brief for the establishment of a sculpture trail in the Forest of Dean. The Elephant Trust provided £2,500 towards the project and in Spring 1984 around 20 artists were invited to visit the site and submit proposals for sculptures. Martin worked alongside Jeremy Rees (Founding Director of The Arnolfini, Bristol) and Rupert Martin (Curator at The Arnolfini). Six artists were chosen and these founding commissions were collectively titled "Stand and Stare":

Peter Appleton - Sound Sculptures
Kevin Atherton - Cathedral
Andrew Darke - Sliced Log Star (Inside Out Tree)
Magdalena Jetelova - Place
David Nash - Black Dome/ Fire and Water Boats
Keir Smith - The Iron Road

The trail was opened on 19 June 1986 by Sir David Montgomery, Chair of the Forestry Commission. By 1988, a second batch of sculptures had been installed including:

Bruce Allan - Observatory
Zadok Ben David - As There Is No Hunting Tomorrow
Miles Davies - House
Ian Hamilton Finlay - Grove of Silence
Tim Lees - The Heart of the Stone
Cornelia Parker - Hanging Fire
Peter Randall-Page - Cone and Vessel
Sophie Ryder - Crossing Place/ Deer/Searcher

Since 1986, 28 sculptures both temporary and permanent have been sited on the Sculpture Trail.

The Forest of Dean Sculpture Trust was established in 1988 as a registered charity overseeing the maintenance of the trail and commissioning new works. The trail is owned and managed by The Forestry Commission.