Showing 691 results
Archival description171 results with digital objects Show results with digital objects
Photograph of Rupert Martin drying the glass of Cathedral before installation
- ST/3/3/6
- Item
- 1986
Colour
- ST/3/11
- File
- 1985 - 1986
Sculptures: Smoke Ring, Bracken Ring, Bracken Knot (1986)
Pamphlet "Studio not required:Sculptures by Stuart Frost"
- ST/3/11/2
- Item
- c.1986
Includes Stuart Frost's curriculum vitae and images of his sculptures
- ST/3/14/4
- Item
- c.1986
Black and white
Photograph of components of the sculpture Place/ Giant's Chair before construction
- ST/3/14/6
- Item
- c.1986
Black and white
Photograph of David Nash during the construction of Black Dome
- ST/3/17/6
- Item
- c.1986
Black and white
Photographs and negatives of the "Chairman Sculpture event"
- ST/4/6
- Item
- August 1986
Colour photographs
Newspaper article "Iron horses make tracks for BR" by Paul Hoyland
- ST/5/2/3/9
- Item
- c.1986
Publication unknown. Discusses artist Kevin Atherton and his iron horses sculpture on the railway line between Birmingham and Wolverhampton
"What's On Wye Dean" publication
- ST/5/2/3/20
- Item
- July - August 1986
Issue 2. Includes article "Forestry Commission joins forces with Arnolfini to take art into the Forest of Dean"
Newspaper article "A surprise in the woods.."
- ST/5/2/3/21
- Item
- 18 July 1986
Published in the "Western Daily Press", author unknown. Discusses the Forest of Dean project
Photocopy of article "The Forest" by Nigel Frank
- ST/5/2/3/22
- Item
- (c.1980s) 18 July 1986
Published in "Arts Review". Discusses the Arnolfini exhibition "The Forest" and the Forest of Dean Sculpture project
- ST/5/2/3/26
- Item
- 31 July 1986
Published in the "Bristol Journal", author unknown. Discusses negative views of The Forest exhibition at the Arnolfini and vandalism of the sculptures in the Forest of Dean. Also includes attached article "Forest sculpture" by Ken Rowat, published in "The Guardian" 5 August 1986
Newspaper article "The great Bank Holiday show" by Marina Vaizey
- ST/5/2/3/31
- Item
- 24 August 1986
Published in "The Sunday Times". Refers to the Forest of Dean Sculpture Trail
Newspaper article "Sculptors' open-air delights" by Mark Swallow
- ST/5/2/3/32
- Item
- 3 September 1986
Published in the "Gloucestershire Echo". Discusses the Forest of Dean Sculpture project
Publication "Partnership: Making arts money work harder"
- ST/5/2/3/35
- Item
- September 1986
Published by the Arts Council. Details the Forest of Dean project
Photocopy of article "'The Forest', Arnatt, Godwin, Rotherstein, Leventon" by Margaret Garlake
- ST/5/2/3/36
- Item
- (c.1980s) October 1986
Published in "Art Monthly". Discusses "The Forest" exhibition
Details of the Arnolfini's collaboration with the Forestry Commission
- ST/1/3/16
- Item
- 1985
Letter from Stuart Frost to Martin Orrom regarding his sculptures at Leigh Woods, Bristol
- ST/3/11/1
- Item
- August 1985
Includes site map and four photographs of Stuart Frost's sculptures
Photocopy of newspaper article "On the march to the cutting-edge" by Deanna Petherbridge
- ST/5/2/2/1
- Item
- (c.1980s) 10 September 1985
Published in the Financial Times. Discusses Magdalena Jetelová's residency at the Arnolfini and forthcoming Forest of Dean sculpture project
Photocopy of document "Stand & Stare" by Jeremy Rees [Director, The Arnolfini]
- ST/1/3/5
- Item
- (c.1980s) 20 June 1985
Discusses the Stand and Stare project to date and the collaboration between The Arnolfini and the Forestry Commission. Also mentions forthcoming gallery exhibition exploring the forest in contemporary art
Photograph of wooden chair sculpture by Magdalena Jetelová
- ST/3/14/2
- Item
- c.1985
Colour. A3. Possibly part of Magdalena Jetelová's Arnolfini exhibition in 1985
- ST/5/2/2
- File
- 1985
Colour slides with images of Andrew Darke's sculptures from 1978 - 1983
- ST/3/8/3
- Item
- c.1984
Includes "Shaped Fence No 2" 1978; "Peeled Branch 1" 1981; "Oak Log Fall" 1981; "W Q No 3" 1981; "Sliced Log 2" 1982; "Sliced Log 3" 1982; "Peeled Branch 2" 1982; "Sliced Log 4 (Postland)" 1983; "Fan Log" 1983. Dimensions are recorded on each slide
"Aspects: A Journal of Contemporary Art"
- ST/5/2/1/2
- Item
- Winter 1983 - 1984
Number 25. Includes article "Nigel Lloyd: Grizedale Sculptor 1983"
Document by Rupert Martin on "Stand and Stare"
- ST/1/3/3
- Item
- March 1984
- ST/1/3/2
- Item
- 1984
Descriptions of two meetings held between The Forestry Commission, The Arnolfini and potential artists in March and May 1984
Document "Stand and Stare" written by Martin Orrom
- ST/1/3/4
- Item
- c. March 1984
Flyer for showing of sculpture "Larch Bole Spiral" by Andrew Darke at Chapter, Cardiff
- ST/3/8/1
- Item
- 1984
Includes image of Larch Bole Spiral
Photographs of the sculpture "Stepping Stones" by Jamie McCullough sited on Beginner's Way
- ST/1/2/2
- Item
- c.1983
Includes negative with image of "Stepping Stones" and four other views
Drafts of the outline proposal for the Stand and Stare project
- ST/1/3/1
- Item
- 10 March 1983
Written by Martin Orrom. Includes annotations
Exhibition booklet "Sixty Seasons" by David Nash
- ST/3/17/2
- Item
- 1983
A collaboration between Mostyn Art Gallery, North Wales and Third Eye Centre, Glasgow
Newspaper article "Air on a tree string" by Hugo Davenport
- ST/5/2/1/1
- Item
- 14 August 1983
Published in The Observer. Discusses artist Jamie McCullough and his project with the Forestry Commission and the Arts Council
- ST/5/2/1
- File
- 1983
- ST/1/2/1
- Item
- 1981
Compiled by Jamie McCullough. Includes photocopies of:
Introduction
Letter from Martin Orrom to Jamie McCullough giving agreement in principle for the project
Newspaper article "Beginner's Way Begins"
Descriptions for the trail with photographs
Draft constitution for the Wildharbour Society
Document describing Beginner's Way
- ST/1/2/3
- Item
- c.1980s
Possibly written by Martin Orrom. Describes the Forestry Commission's involvement with the establishment of the Grizedale Forest Sculpture Project in 1977 and later Beginner's Way.
Exhibition booklet for "Loosely Held Grain" by David Nash
- ST/3/17/1
- Item
- c.1976
Held at The Arnolfini gallery, Bristol. Features photographs by Sue Wells