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Archival description
Forest of Dean Sculpture Trail Archive
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"Criterion 3: Partnership Funding"

File possibly compiled by Brian Mahony. Includes information on an application to the Henry Moore Foundation; Sculpture Trail Access Project; Selection day for the Henry More Commission 1998 [presentations by Tim Knowles, Neville Gabie, Sandie Macrae, Louise Short and David Gooding]; Sculpture proposal by Neville Gabie 1998; Summerfield Trust correspondence; Correspondence from Martin Orrom and Lesley Greene; Address by Nick Capaldi [South West Arts] at Cinderford on 16 December 1998; Correspondence from Bruce Allan; Correspondence from Tessa Jackson [Director of The Arnolfini]; Memorandum regarding refurbishment of Cathedral by Kevin Atherton

"Miscellaneous"

Photocopy of "Appendix 27: Access Checklist" handwritten form for typing
"News from Gloucestershire Tourism" newsletter issue 1 May 1998. Features photograph of Place/ Giant's Chair by Magdalena Jetelová promoting Gloucestershire County Council's picture library

Jeremy Rees File 2

Includes details of the Lottery application; Notes by Jeremy Rees; Correspondence from Martin Orrom, Jeremy Rees and Brian Mahony; List of appendices and draft content and draft funding figures

Brian Mahony

File of correspondence and notes regarding funding belonging to Brian Mahony, [Deputy Surveyor for Forest Enterprise and Forest of Dean Sculpture Trust trustee. Includes letters from Martin Orrom, South West Arts [regarding "A Capital Strategy for the Arts in Gloucestershire 1998 - 2000"] and Arts Council England

Jeremy Rees File 1

Includes draft Lottery application dated 14 May 1998; Letter from Brian Mahony accompanying draft application; Letter from Jeremy Rees to Brian Mahony suggesting amendments to the draft application

Master copy of application

Written by Brian Mahony. Application number 97-1556. Includes application form; Appendix 1: Trust Deed 1996; Appendix 2: Mission Statement "Stand and Stare"; Appendix 3: Statement of Funds; Appendix 4: Trust Management Structure and Membership; Appendix 5: Detailed Description of the Scheme; Appendix 6: List and Photographs of Sculptures Created 1986 - 1997 [blank]; Appendix 7: Business Plan; Appendix 8: Milestones and Achievements; Appendix 9: A Marketing Perspective/ Visitor Survey; Appendix 10: "On the Beaten Track" [blank]; Appendix 11: Risk Analysis; Appendix 12: Options Analysis; Appendix 13: Equal Opportunities Policy; Appendix 14: Access for All; Appendix 15: Education Pack; Appendix 16: Training Policy; Appendix 17: Memorandum of Agreement with The Forestry Commission; Appendix 18: Commissioning Policy; Appendix 19: Management and Maintenance of The Trail [including sculpture management plan for Dead Wood/ Bois Mort 1995]; Appendix 20: Curator Draft Job Description; Appendix 21: Review of Existing Sculptures [blank]; Appendix 22: Education Policy; Appendix 23: The Archive; Appendix 24: Working with the Community; Appendix 25: Leaflets and Press Articles [blank]; Appendix 26: Collaboration Statement for the Arts Resource Centre; Appendix 27: Access Checklist; Appendix 28: Support from Other Organisations and Individuals; Appendix 29: Proposal for an Annual Competition

Fundraising

Correspondence about funding including:
Arts Council England
Calouste Gulbenkian Foundation
Crafts Council
Forest Enterprise/ The Forestry Commission
Foundation for Sport and the Arts
Jeremy Rees
Lesley Greene
South West Arts
The Carnegie United Kingdom Trust
The Elephant Trust
The Ernest Cook Trust
The Henry Moore Foundation
The Summerfield Trust
Paul Hamlyn

Herring Island Environmental Sculpture Park, Melbourne

Herring Island Environmental Sculpture Park leaflet

Photocopy of newspaper article "Sculpture nurtures a natural talent" by Rebecca Lancashire. Features a picture of the British sculptor Andy Goldsworthy

Photocopy of newspaper article "Melbourne punts on an island full of sculptures" by Rebecca Lancashire. Published in "The Age"

Photocopy of newspaper article "Do the Melbourne Festival for free" by Michael Harden

File compiled by Rupert Martin as a snapshot of the trail at the end of Phase II

Excerpts from press reviews, newspaper and magazine articles

Press release regarding Phase II

Phase II leaflet listing new sculptures by Cornelia Parker [Hanging Fire], Bruce Allan [Observatory], Miles Davies [House], Zadok Ben David [Deer], Peter Randall-Page [Cone and Vessel] and Tim Lees [Rose in Hand]

Black and White photographs of Place [Magdalena Jetelová]; The Iron Road [Keir Smith]; Cathedral [Kevin Atherton]; Observatory [Bruce Allan]; Cone and Vessel [Peter Randall-Page]; Mythical Deer [Zadok Ben David]; Rose in Hand [Tim Lees]; Hanging Fire [Cornelia Parker]; House [Miles Davies]

River Eden

"Eden Benchmarks: a sculpture collection for the riven eden commissioned by east cumbria countryside project and the people of the eden valley" leaflet

Correspondence regarding Carole Drake as Artist in Residence

Includes letter from Rupert Martin offering Carole Drake the residency; statement of interest and notes from a preliminary visit to the Sculpture Trail; outline of particulars for the Artist in Residence position; press release by the Forestry Commission for the opening of Dead Wood/ Bois Mort; Carole Drake's curriculum vitae; site plan of the Sculpture Trail

Results 301 to 350 of 691